i.
the polaroid of the angel statue, her stone face rotted away.
what happens when even the immortal rock sickens,
the untouchable collapsing beneath the gentle lips
of time? of course we had known, but only
in the vaguest of senses, like an evening fog that bears
the first chill of winter on a creeping hand. our hearts
were pits of ashes. not enough material left inside
to spark a fire, much less feed
its ravening hunger for more than a few charred days.
how to cut the weights chained to our ankles
with only our hands—fingernails and teeth.
the liminality of public transport;
how the planes and trains became a white room,
indistingui
crow hands on my back
like a dream you
materialize in front of me
so illusive;
the wavering silhouette
cast onto the brick wall
by the setting sun.
golden hour etched
into your skin.
sadness takes
different forms.
the black raindrops race
down your cheeks
forlorn—tattooed
deep down and wrapped
in violent fascinations.
so vague—sewn
weakly together,
decaying lips pressed close
and crumbling.
so quiet was the space where
we hovered, inches apart, silently
wondering when to touch.
as always,
the ropes around my wrists,
waist, throat, pulling
me back into the cold void to starve
alone, as always, the words
reaching my ears but never my heart.
at first, i did not take
the thickening air seriously;
i determined that it
was not a part of me,
that the reach was singular,
one-sided.
you would see
whatever you needed to;
whether or not it was true
was irrelevant. i,
dislocated, somewhere other
than with you.
i, clinging to my ego
like it was a dark rock jutting
out of a churning ocean.
i looked until i could no longer see you.
your eye
i.
desolation raped the vine.
blackest ink pouring through
astonished fingers—the wound
a crack in the crown.
it is not known
if the damage is repairable.
seal it
with fool’s gold for now
and carry on
as if all has gone
according to the divine plan.
ii.
if wanting you
was sin let me
confess it now
and be absolved.
if i was not mistaken
to be wary, i am
wary now. it was not
your time or place
to speak of love.
love is not love
when it has been
corrupted by fear.
even a single impurity
renders the data moot.
from this,
i have only learned
to be more careful
when trying to walk
in god’s footsteps.
in the time of the most extreme oceans
my stomach is very thin,
almost sack-like.
time is like a river,
river-like.
but, also, our lifelines become rivers
and start winding.
in the times of the most extreme skyscrapers
your hands are very thin,
almost nonexistent.
time is very frightening to think about
but, so are your hands.
but, also, the snow falls very heavily
and we collapse, like rivers.
in the time of the most extreme trains
the evenings are very long,
almost endless.
muscles are knot-rope strong:
the blood, of course, slips around above.
but, also, the skin splits apart
and falls aside, like rivers.
in the time of the most extreme
something something 'a map of your body' by ssleep, literature
Literature
something something 'a map of your body'
yours and
mine, and yours should be
with mine,
whether it be
slightly intoxicated,
the heat of your hands, or
fully awake seeking skin,
and skin, and skin.
that mouth,
a gateway
to someplace i didn't
know i wanted to be.
something like
the sound of my watch ticking in my ear
when i have your lip in my teeth
and my hands in your hair pulling
your head back to find your pulse
with my breath and i feel less alone
because you feel it, too.
it's hard for me, for once,
to put it in concrete terms,
perhaps because it is so tangible,
so i hope
i don't have to say anything,
and your body
in my bed
can be the words;
but sweetheart,
when i said
the feeling somewhere in between the pink lights
on your face; thinking you were gorgeous
but still afraid to say it out loud,
yet not
afraid to mouth it
against your neck.
because i don’t want to close my eyes when i kiss you;
like i am afraid of falling asleep
or letting even one precious moment
slip by me.
because i bought a train ticket,
and boarded on the wrong line,
but arrived at the right place all the same,
and it was easy to tell you
that same metaphor.
because i made the right choice
when i was too drunk to see beyond
my immediate physical craving,
and i slept even better sober
in your bed.
because yearning is not
passion.
because desire doesn’t have to be overwhelming.
because beauty
can creep up on you softly.
because you walked away from me as soon as you learned
my name, but when